(1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. Satellite imagery from November 1 reveals the large trucks parked at the side of the museum and another vehicle, a van, stationed in its courtyard. Storing collections in places without proper climate control and inadequate air circulation often leads to the development of mold, fungus and other problems that have to be mitigated. (1978) Kenyon College; M.L.S. In presenting the Smithsonians contribution to that effort, we could not have been prouder. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. (1977) Smith College; M.A. Visit the IIIF page to learn more. Morris and Rinzler were named Washingtonians of the Year. The center is composed of three distinct units. The program brings together community-driven research and documentation, product development, enterprise training, world-class design development and a suite of tools artisans can use to unlock access to both local and international markets. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. B.A. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. nmaahc.si.edu. Folklorist, Curator, Education Specialist. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Research specialties: Material culture, folklore and education, public programming. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. B.A. Mexican Stitchery Demonstration at Festival of American Folklife, 1978. Since 1967 the Smithsonian Folklife Festival has taken place at the National Mall and featured ongoing performances and demonstrations of contemporary cultural traditions. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. (1979) State University of New York at Binghamton; M.A. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. Contact:AdamsG@si.edu, Belanus, Betty, Folklorist, Curator, Education Specialist. As in other regions of Europe, the population of the geographic region of modern Ukraine reflects a diversity of ethnic migrations and cultural influences, as well as a succession of political rulers and changing boundaries over millennia. Contact:PlaceJ1@si.edu, Sheehy, Daniel E., Curator and Director Emeritus, Smithsonian Folkways Recordings. At the July 3-14, 1974 Festival of American Folklife, Native Americans section, a woman participates in the blanket toss, a game in the World Eskimo Olympics. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. Research Associate. Russian leader Vladimir Putin has wrongly made culture both a justification and an object of war with Ukraine. Smithsonian Institution cultural center in the U.S. Center for Folklife and Cultural Heritage, Sustaining Minority Languages in Europe (SMiLE). (2005) Occidental College; Ph.D. (2017) UCLA. Warfare introduces a whole slew of challenges beyond the ken of typical museum workbut the Ukrainian conservators, collection managers, museum directors and others have been vigilant in their defense of those items documenting their nations history, art, culture and identity. A Lithuanian blacksmith demonstrates his skills in the Baltic Nations program during the 1998 Smithsonian Folklife Festival. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. The Smithsonian Latino Center (SLC) is now a part of the National Museum of the American Latino. Behind the dancers is the sculpture "Infinity." National Museum of American History (1979) State University of New York at Binghamton; M.A. Research Associate. B.A. B.A. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. In alignment with the mission of the Smithsonian Institution,[11] the Center for Folklife & Cultural Heritage is actively promoting and supporting research in fields under its purview. Research specialties: American folklife, material culture, building arts, occupational folklife, Italian-American folklore, culture and aging, oral history, cultural and linguistic sustainability, public programming. (2007), Ph.D. (2015) New York University. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution that supports cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound recordings. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. Dalai Lama at Smithsonian Folklife Festival, 2000. Polish organizations lent tremendous logistical help. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. While providing immediate protection, this presented another major problem. Julia Lopez, a needle craft artist from California, demonstrates Mexican stitchery at the 1978 Festival of American Folklife. Contact:CadavalO@si.edu, Leopold, Robert, Research Associate. The Center also produces major national cultural events consistent with its mission. (1967) Harvard University; M.A. Research Associate. (2005) University of California, Los Angeles; PGCert. Contact:Leopold@si.edu. This paper defines the field as folklore and uses that term throughout its paper:[4]. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. The Ukrainian language, the countrys art and its historyincluding the Slavic-Christian state centered in Kyiv a thousand years ago, the 19th-century flowering of Ukrainian culture and nationalism, the post-World War I Ukrainian republic, the Ukrainian independence movement of the early 1990s and its reaffirming Orange Revolution in 2004 and the Euromaidan Revolution in 2013-2014all represent an undeniable Ukrainian identity that is centuries in the making. But the centers few vehicles were needed for civil defense purposes and thus unavailable. Generous contributions from Edward and Helen Hintz and Brad Freeman have helped support the effort, as have family and friends of Jamie Seltzer and Logan Cohen who, in lieu of gifts to the newlyweds, and at their direction, donated to the Smithsonian Cultural Rescue Initiative. The Smithsonian Folklife Festival is a research-based presentation of living cultural heritage annually produced outdoors on the National Mall. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. We publish stories about music, food, craft, language, celebrations, activism, and the individuals and communities who sustain these traditions. (1981), Ph.D. (1995) University of Pennsylvania. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. The Smithsonian's Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Contact:SheehyD@si.edu, Cadaval, Olivia, Research Associate. Curator and Senior Archivist. Intern at Smithsonian Center for Folklife and Cultural Heritage. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. View ratings, addresses and opening hours of best restaurants. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. It had a seven million-dollar budget, lasted twelve weeks and involved five thousand artists from every region in the United States and from 35 other nations. The inventory now includes more than 28,000 sites. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. The festival was started by folklorist Ralph C. Rinzler (1934-1994). Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). These . 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